BBC Horizon - Extreme Dinosaurs


BBC Horizon - Extreme Dinosaurs - The Science Of Giants
English | 640×352 | 700MB


Information

Amazing new discoveries in South America are revolutionising what we thought we knew about the dinosaur world. It now seems that South America was home to both the largest meat-eater - so new it’s still without a name - and the largest herbivore - the enormous long-necked Argentinasaurus. And what’s more, these dinosaurs lived at the same time in the same place. So it’s possible that like in a science fiction movie, in this prehistoric world these two giants of their kind fought each other in a spectacular clash of the Titans.

Horizon follows the scientists to Argentina as they unearth one of these giants - a brand new species of dinosaur; the biggest carnivore ever discovered. Not yet named, this new creature is even bigger than T. rex, the so-called ‘king’ of the carnivores. The new giant South American predator had a skull bigger than a man that was full of serrated, knife-like teeth and long powerful jaw muscles. They could dissect their prey with almost surgical precision.

But even this formidable killing machine couldn’t alone have taken on the massive long-neck, Argentinasaurus, which was the height of a five-storey building. It must have hunted in a pack. The problem is, the mega-meat-eaters have always been assumed to have been solitary creatures. The evidence shows that they lived and hunted alone. If they weren’t pack hunters, then they would never have attacked Argentinasaurus. So it looked like the idea of a mighty battle between these two giants was simply science fiction. But extraordinary new clues are proving otherwise.

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I Can't Get Over You - The Queers

James Baxter


At sixteen, James Baxter was involved with animation, moving cutouts before a super-8mm camera. During his summer vacation, he heard that Who Framed Roger Rabbit was starting production in London. He submitted a videotape of his work, and was hired as an in-betweener. Upon moving to California, he was assigned to The Little Mermaid and he later worked on The Rescuers Down Under.

Supervising Animator:

Joanna (The Rescuers Down Under)
Belle (Beauty and the Beast)
Rafiki (The Lion King)
Quasimodo (The Hunchback of Notre Dame)
Tulio (The Road To El Dorado)
Spirit (Spirit)

Animator:

Old Moses (The Prince of Egypt)

Assistant Animator:

Roger Rabbit, The Weasels (Who Framed Roger Rabbit)
Ariel, Triton (The Little Mermaid)



James Baxter Pencil Test










Eric lerner



Watch his awesome music video, hey don't forget to check his site Eric Lerner

Quentin Blake


Quentin Blake
Books | Exhibitions | International | Kids | Illustrators | Prints and much more
[Official Site]

Celia Calle


Michel Gagne



RATATOUILLE


In the Fall of 2006, I was contacted by Brad Bird to create a series of animated vignettes for his movie Ratatouille. The concept was to design and animate abstract representations of what the character was tasting.

After discussing ideas and concepts with Brad Bird, I created a series of images to illustrate potential ideas of how the taste could be visualized in an abstract way. These were reviewed by Brad and shown to the music composer as inspiration

Conceptual Artwork | Remy's Visualization | Drawings | Compositing and Digital Enhancements | Final Compositing

Taste Visualization for Pixar's Ratatouille



OSMOSIS JONES

During production, I came up with an idea to do the opening titles and setting them up in a microscopic world.

I pitched the idea to the directors and producer but was told that most likely the Farelly brothers' team would be handling that part of the movie. Undeterred, I decided to go ahead on my own time and produce the sequence without permission.

I storyboarded and created all the animation on paper. Then, I recruited Ryan Woodward to digitally composite the elements, add the camera moves and apply the various filters to produce the final look of the piece.

Needless to say, it didn't take long for the folks at Warners to warm up to my idea and the sequence was quickly integrated in the film. When you watch the clip, look closely at all the different organisms. Each one has a unique way to move, swim and walk about.

Osmosis Jones FX Animation & Designs


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Dilbert Comic Strips






Comic Strips | PDF | Scott Adams

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| 1993 | 1994 | 1995 (part1) | 1995 (part2) | 1996 (part1) | 1996 (part2) |



Guard Dog



Bill Plympton Studios | 5.31 minute | 2004 | English | 58 Mb

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How To Make Love To A Woman




Bill Plympton Studios | 5 minutes color | 1995 | English | 31 mb

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25 Ways To Quit Smoking





| Bill Plympton Studios | 5 minutes Color | 1989 | English | 24 Mb

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Focus Multimedia - Job Interview Skills


Focus Multimedia - Job Interview Skills



Training CD + Bonus Book | 479 MB | English | win RAR


Have you ever been in a job interview and been asked questions that have made your mind go blank? Questions like “what are your strengths?”, or even worse – “what are your weaknesses?”

“what are your strengths?”, or even worse – “what are your weaknesses?”

Whether you’re new to the job market, out of work or looking for a new challenge, Teaching-you Job Interview Skills

helps you gauge the best answers to even the toughestquestions that an interviewer can fire at you.

No two job interviews are the same and the key to success lies in thorough preparation and practice. Teaching-you Job

Interview Skills provides everything you need to make a good impression and supply the interviewer with the answers

they’re looking for.

Designed to eliminate stress and nerves, Teaching-you Job Interview Skills will boost your confidence and prepare you

for anything the interviewer decides to throw at you. With random interviewer selection and random question choice, the

interview practice is reflective of a real interview situation. Practice answering over 500 video interview questions, with the

added advantage of a useful hints section which explains the nature of the question and provides examples of what you

should - and shouldn’t - say. Teaching-you Job Interview Skills gives you the confidence and interview know-how to go

out there and secure the job of your dreams.




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Foundation ActionScript Animation: Making Things Move!


Foundation ActionScript Animation: Making Things Move!
PDF | 488 pages | 9 MB



Sure you can animate using motion tweens, in fact we'll help you do that with our Flash Cartoon Animation book, but isn't there something extra special in making things move with just a few lines of code?

In this book Keith Peters guides us through some basic animation theory and then demystifies the math and physics behind creating realistic animation, looking at trigonometry, velocity and acceleration, and bouncing & friction.

This book will teach you how to use Flash ActionScript to move the objects in your movies, rather than letting Flash's tween engine do it for you. The benefit of this is smaller, more realistic, more dynamic interactive movies that seem to come alive on your screen. Almost all of the code featured in this book will work fine in either Flash MX 2004 or Flash 8, and with a few minor adjustments, most of it can even be applied to Flash MX.

Although the text covers many advanced math and physics concepts, making for very realistic motion, there's no need to worry, even if you're a relative newcomer to programming and the last math class you took was in high school (and even if you barely remember that!).

This book first covers everything you need to know to get started: the principles of animation, and the basics of ActionScript, trigonometry, and Flash rendering methods. You'll work your way slowly from using code to move a single object across the screen to creating complex systems that really push Flash's capabilities with topics covered including collision detection, particle attraction, and kinematics. The book concludes with looking at 3D animation techniques, including building a basic 3D engine, 3D lines, fills and solids, and matrix math.


Foundation Flash Cartoon Animation

"Foundation Flash Cartoon Animation"
PDF | 350 pages | 8.3 MB



Whether you are an experienced Flash designer or developer looking for a guide to doing animation in Flash, or a novice to Flash who is looking for an effective way to create and distribute animations, this book will prove invaluable to you.

Covering every aspect of Flash animation, the book is a fast-paced yet thorough review of the Flash animation process. Written by the Emmy-Award winning team at ANIMAX, this book not only reveals the step-by-step process followed by one of today's leading Flash animation studios, it gives you valuable tips and tricks to take your Flash animation to the next level.

Divided into three phases of production (pre-production, animation, post-production) this book breaks the Flash animation process into smaller, more manageable steps. And because the authors approach the animation process from various perspectives (such as producer, animator, and editor) the book balances many of the real-world issues facing today's Flash animators, from artistic to technical to financial.

The book starts off by looking at planning and designing an animation project, including working out your goals, and putting together character libraries and storyboards. Next up we look at the production phase, which includes using plug-ins to make your work more efficient, implementing your animation, and adding special effects. Finally, we look at post-production work, including how After Effects can be used effectively alongside Flash for tasks such as camera mechanics, how to make Flash not look like Flash, and tips and tricks from the experts.

Whatever the reason, like millions of others around the world you've become interested in Flash animation. And you've come to the right place to learn more. This book is compatible with pretty much any fairly recent version of Flash.

  • Covers the full process of Flash animation, through preproduction, production, and post production
  • Covers many practical techniques, including creating character libraries, using plugins, and camera mechanics with After Effects.
  • Written by the Emmy award winning ANIMAX studios team

What you'll learn

  • How to effectively plan an animation project
  • How to put together storyboards
  • How to create elegant character libraries
  • How to set up your .fla file, ready for animation to commence
  • How to make more efficient use of your time with plugins, where to find good plugins, and how to create your own
  • How to animate, frame by frame, or using tweens
  • Why After Effects can be better than Flash for some tasks.
  • Effective After Effects Techniques, such as camera mechanics
  • How to make Flash not look like Flash

Summary of Contents

  • Chapter 1 - The Project Plan
  • Chapter 2 - Character Libraries
  • Chapter 3 - Storyboards and Animatics
  • Chapter 4 - Setting Up Your FLA
  • Chapter 5 - Plug-ins and Extensions
  • Chapter 6 - Frame by Frame Animation
  • Chapter 7 - Animating With Tweens
  • Chapter 8 - Animation Special Effects
  • Chapter 9 - Why Use After Effects?
  • Chapter 10 - After Effects and Camera Mechanics
  • Chapter 11 - Making Flash Not Look Like Flash
  • Chapter 12 - Tips and Tricks


9/11 Mysteries & Demolitions

9/11 Mysteries & Demolitions

Bombs were set on twin towers to destroy them, that is what this documentary says.




90 minutes of pure demolition evidence and analysis, laced with eye-opening witness testimonials. Moving from "the myth" through "the analysis" and into "the players," careful deconstruction of the official story set right alongside clean, clear science. The 9/11 picture is not one of politics or nationalism or loyalty, but one of strict and simple physics. How do you get a 10-second 110-story pancake collapse?

A movie that might actually reach our complacent mainstream. No agenda. No finger-pointing. Just the facts and the "mysteries." Look at that. Think about this. A story of people: Willie Rodriguez's strange recollection of noises on the 34th floor. Who was up there, bumping around? Scott Forbes' similar story, weeks before the towers fell. A story of blasting itself. Here's how shaped charges slice through steel beams to control the way they fall.

"Excellent. The best of the 9/11 movies." --David Ray Griffin, author of The New Pearl Harbor

"WOW! is my reaction to this movie. Great insight into demolitions and what really happened on 9/11/2001." --Steven E. Jones, physics professor, Brigham Young University

"An outstanding contribution to understanding 9/11. Simply superb." --James H. Fetzer, founder, Scholars for 911 Truth

"A superb work and asset to the patriot community and America itself." --Aaron Russo, producer/director, America: From Freedom to Fascism.


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